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Wild
Rice (2004)
Paul Bourdeau and Shane Simpson
Instrumental skill, crafty compositions and plenty of head room
for improvising drive these two Ottawa guitarists off leash and
have them bounding over musical fences for an acoustic romp in the
jazzgrass. Fingerstyle finesse, charging rhythms and melodic focus
underpin this formidable duo as they offer up tasty original pieces
for public consumption --- with jam!
BUY NOW at |
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Themes
for Contemporary Living (2003)
Psychopomp
Very improvized. Very modern.
"ripping guitars" - reviewer garageband.com
"Santana meets Satan" - reviewer garageband.com
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more
electric (2002)
Shane Simpson
"... outstanding compilation ... as strong as any singer-songwriter
album you'll hear this year." - Allan Wigney, The Ottawa
Sun
"Shane Simpson is remarkable for his guitar playing."
- Gary Hayes, CBC Artscape
"Dazzling fret acrobatics ... Simpson's picking
is top-notch." - Wes Smiderle, Ottawa Citizen |
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Sketches
(2001)
Shane Simpson
" Simpson's songs ... are
technically accomplished, featuring his acute fingerpicking abilities
and bright rhythmic strumming. This crisp production is nicely offset
by Simpson's burnished, throaty voice ... folk-rock with arena rock
appeal." - Matt Collar, All Music Guide
“With tunes this satisfying and musicianship
this good, Shane Simpson's dance card should be filling up before
too long.” - Jim Kelly, Canadian Musician Magazine
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Raising
the Juniper Tree (2001)
Paul Bourdeau
Review by BRUCE DEACHMAN "THE OTTAWA CITIZEN" Saturday,
6 April 2002 "ARTS" Section
"Ethnic music from a country that doesn't
exist" is how Ottawa-are guitarist Paul Bourdeau describes the
title track from his debut album, a description that doesn't so much
illuminate Bourdeau's style as the romantic underpinnings of his music.
Backed
by drums and bass, Bourdeau's 11 original compositions - inspired
by elements as disparate as an alpine plateau in Colorado, a first
snow, Shakespeare and the Vendée Globe round-the-world solo
yacht races - further solidify his reputation as one of the finest
jazz-fusion fingerstylists around. The pacing of the record is excellent;
every now and then the trio will yank a frenetic chain, lifting listeners
from a generally low-key reverie.
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and
the day came (2001)
Jason Crawford
The CD "and the day came" represents
the debut release from an exciting 8-string jazz guitarist from Gravenhurst,
Ontario. Seeing is believing ... download
QuickTime movie (3.7MB). "Jason
Crawford is a most promising chord-melody jazz player in the Lenny
Breau tradition: his pianistic stylings tip their hat to his avowed
inspirations, Bill Evans, Oscar Peterson, and Herbie Hancock."
- Guitar Player |