Lesson
Eight
Melodic
Chord Phrases
With the help
of a few chord voicings/inversions it is possible to create "chord
phrases" which will add melodic dialogue to your comping, or
fatten-up any single-note solo. To avoid blind memorization, it is
essential to grasp the system which produces these chord voicings-
namely "inversion".
Example
one shows four Gm7 voicings on the upper stringset. The first
is a root position chord, which means that the root (G) is the lowest
note. The second is a "first inversion" chord, which means
that the b3 (Bb) is the lowest note. The third is a "second inversion"
chord, which means that the 5th (D) is the lowest note. Finally, the
fourth chord is in "third inversion", which means that the
b7 (F) is the lowest note. Be sure to take these inversions through
all keys so you can use them in all situations.
Example
1

Example
two shows four D7b9 voicings. Notice there is no root (D) in any
of these chords, it has been replaced with the b9 (Eb). D7 is the
fifth of Gm7 and can be used to "connect" the Gm7 voicings
you learned in example one. The D7b9 shapes are symmetrical and repeat
every three frets.
Example
2

Example
three shows the Gmi7 voicings being "connected" by the
D7b9 voicings. To maximize your technical potential, try to keep your
left wrist on a fairly even plane as you switch chords. Any radical
wrist turning will slow you down considerably.
Example
3

Example
four shows two popular C7 chords on the same stringset.
Example
4

Example
five shows four voicings which can be used for Fma7. The Ma9 and
6/9 chords add colour to the basic ma7 sound. We now have all we need
to play II-V-I progressions using these inversions. In the key of
F, Gm7 is the II chord. C7 is the V chord, and Fma7 is the I chord.
The D7b9 voicings will be used to connect the II chord inversions,
and extend the life of the phrases.
Example
5

Example
6 shows a II-V-I "chord phrase" using all of the elements
we've discussed.
Example
6 Audio Clip (156K au)

Example
7 is a longer phrase with a "chromatic passing chord"
(Abm7) thrown in for good measure. Create your own "pet phrases"
in all keys to punctuate your single-note solos or to add excitement
to your comping. Enjoy!
Example
7 Audio Clip (200K au)
